19,220 로열티 프리 오디오 트랙들 "Midi Music"에 대한

Piano Sonata, K. 545 - Allegro 日本語: ヴォルフガング・アマデウス・モーツァルトのピアノソナタ K. 545第一楽章

Adagio (2nd movement) from Beethoven's Piano Sonata Op. 22, bars 31–33

Kiswahili: Njoo kwetu, Roho Mwema Gracious Spirit, heed our pleading Komm zu uns, Heilger Geist, Evang. Gesangbuch Bayern-Thüringen 565

Secondary dominant with barbershop seventh chords. V/V - V - I in F major (G7-C7-F). Derived from [1]. In just intonation. Sevenths are harmonic sevenths, and the F in the first measure is 27.26 cents lower than the F in the third measure. Pitch bend matches intervals.

Nun lob, mein Seel, den Herren, melody by Hans Kugelmann, harmonization by Johann Sebastian Bach (1685 – 1750), Bach-Werke-Verzeichnis (BWV) 17.7, adapted to Kugelmann's original melody by Rabanus Flavus (Peter Gerloff) Nun lob, mein Seel, den Herren, Melodie von Hans Kugelmann, Harmonisierung von Johann Sebastian Bach (BWV 17.7), angepasst an Kugelmanns Originalmelodie (Evang. Gesangbuch 289) von Rabanus Flavus (Peter Gerloff)

Former national anthem of Afghanistan used from 1992 to 2006. Composed by Ustad Qasim in 1919; he died in 1957.

Vergleich der Adagios von Haydn op. 64/Nr. 5 und Beethoven op. 2/1

Primary forms of the just tone row from Ben Johnston's String Quartet No. 7, mov. 2. Pitch bend appears to match intervals.

La Monte Young's magic chord. Tuned from E = 1/1.Gann, Kyle (1997). "La Monte Young's The Well-Tuned Piano", La Monte Young Web Page.

Von Luzern auf Weggis zu

Ich steh an deiner Krippen hier, melody, basso & harmonization: Johann Sebastian Bach (BWV 469); replenishment of basso, transposition to A minor & sound file: Rabanus Flavus (Peter Gerloff)

An'im Zmirot (Shir Hakavod), Jewish traditional melody An'im Zmirot (Shir Hakavod), überlieferte jüdische Melodie; im Gotteslob (2013), Diözesanteil Hamburg-Hildesheim-Osnabrück, mit dem Text "Herr, mache mich zum Werkzeug deines Friedens" (Nr. 868)

Example of figured bass in context. Implied pitches written in small, stemless type above bass voice. Taken from Beschränkt, ihr Weisen, by J.S. Bach. (Riemenschneider no. 47/69.) Final chord added.

Chromatic modulation in Bach's Du grosser Schmerzensmann, BWV 300, m. 5-6 transitions from FM to dm through the inflection of C to C between the second and third chords. Note that there is no common chord.

Seven steps in A12 equal temperament on middle C. 3(7/12)=1109.47 cents.

Six steps in A12 equal temperament on middle C. 3(6/12)=950.98 cents.

D♭7♯11 chord = G7alt chord.

Five steps in A12 equal temperament on middle C. 3(5/12)=792.48 cents.

Four steps in A12 equal temperament on middle C. 3(4/12)=633.99 cents.

Eight steps in A12 equal temperament on middle C. 3(8/12)=1267.97 cents.

Two steps in A12 equal temperament on middle C. 3(2/12)=316.99 cents.

Three steps in A12 equal temperament on middle C. 3(3/12)=475.49 cents.

Nine steps in A12 equal temperament on middle C. 3(9/12)=1426.47 cents.

Ten steps in A12 equal temperament on middle C. 3(10/12)=1584.96 cents.

Eleven steps in A12 equal temperament on middle C. 3(11/12)=1743.46 cents.

One step in A12 equal temperament on middle C. 3(1/12)=158.50 cents.

Example of bitonality. BWV 803. Klavierubung Part III, Duetto II.

Brobigdinian Gigue from Telemann's Gulliver Suite. Notated in 12/8, dotted quarter = 90.

Lilliputian Chaconne from Telemann's Gulliver Suite. Notated in 3/4, quarter note = 120.

Es ist genug, Schlusschoral der Kantate O Ewigkeit, du Donnerwort BWV 60; Melodie: Johann Rudolf Ahle

Sequential modulation in Schubert, Piano Sonata in E Major, D. 459, movement III.

Dominant seventh in Beethoven's Piano Sonata in B-flat major, Op. 22.

Bach - Well-Tempered Clavier, Book I, Prelude I (C major, BWV 846), opening bars.

Common-tone modulation between C minor and its relative major Eb, using the common-tone G, in Schubert's Op. 163 (D. 956).

Eesti: Jumal on valgus ja pääste Du bist, Herr, mein Licht und meine Freiheit, Evang. Gesangbuch (Niedersachsen) 575

Italiano: Scala di do frigio.

Generating chord for Michael Torke's Vanada (1984).

interval major 3rd melodic

Italiano: scala di do dorica (midi).

iv IV I V chord progression.

interval minor 6th melodic

interval tritone melodic

interval octave melodic

Italiano: Scala di do eolio.

Italiano: Scala di do lidio.

interval minor 2nd melodic

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of 256th notes. =60.

interval minor 3rd melodic

interval minor 7th melodic

Italiano: Scala di do locrio.